Now this isn’t your typical Christmas movie. (At least, insofar as the “typical” Christmas movie takes you into the lives of the homeless in Japan.) Three Tokyo “bums” — Gin, a middle-aged alcoholic; Hana, a born-again Christian and a former drag queen; and Miyuki, a teenage runaway — find an abandoned baby on Christmas Eve and set out to find the baby’s parents. As they witness kidnappings, double-crossings, and attempted suicides, each of the protagonists’ histories is revealed.
There is a realistic roughness to each one of the protagonists; it seems as if there is always something for which we can condemn them. Indeed, the film soon makes clear that no one is blameless (except perhaps the abandoned baby). Yet Gin, Hana, and Miyuki each have their moment to redeem themselves, and it is at these moments that they become most beloved to the audience.
Three essential themes emerge to the discriminating Catholic viewer. First, each one of us is a person with a story; no one can ever be considered “trash” or less than human. Even though the protagonists are homeless and “useless” to society, they all have a back-story to why they are in their current state of life.
Second, everyone has a family, and family is essential to who we are. Though Gin, Hana, Miyuki abandoned their families, some seemingly supernatural force brought them back together. Moreover, the three protagonists form a sort of surrogate family of their own, and despite the fact they despise each other at times, they care deeply for each other. The bonds of family — whether biological or not — are near-impossible to sever.
The third and final theme of Tokyo Godfathers is the little miracles in our lives that we call coincidences. Coincidence follows coincidence after Gin, Hana, and Miyuki discover the baby — they are led back to their families, gain flashes of insight about themselves, and even have their lives saved. Indeed, one might say that “coincidences” are proof that a higher plan is guiding us; nothing ever happens without reason.
This isn’t your typical Christmas movie, but that doesn’t mean you shouldn’t watch it. Add it to your to-watch list for next Christmas season…or as early as now, for that matter.
Content: Narrative that relies heavily on flashbacks. There are plenty of twists that keep you on your toes, and the flashbacks progressively humanize the protagonists throughout the film.
Style: True to form, Satoshi Kon (director of the anime films Millennium Actress and Paprika) makes you scratch your head as you wonder if you’ve missed something. However, Tokyo Godfathers wraps up much more cleanly than Millennium Actress and Paprika.
Catholic: A subtle analysis of the human condition that places emphasis on the dignity of every person and on the family. Very Catholic indeed, if not outwardly so.
Overall: 3 out of 4 stars